Live sound
The desk behind the board.
The booking desk now runs the front of house too — engineers from our own scenes, PA and backline matched to the room, and a stage that runs on time from load-in to strike.
What comes with every sound package
Engineers from the scene
Front of house and monitor engineers who've mixed the bands on our roster — no first-day-of-the-tour surprises.
PA and backline, matched
Speaker and backline packages scoped to the room and the bill — you never pay for more PA than the night needs.
Stage coordination
Input lists, stage plots, and patch details locked before load-in, so soundcheck is a soundcheck and not a negotiation.
One run of show
Load-in windows, changeovers, and set times run by one desk, so bands and house staff are working off the same sheet.
Recording on request
Clean signal splits and multitrack captures available on request — for live records, press, or the band's own archive.
A person on the night
A person reachable on the night. Gear fails, lines buzz, sets run long — one call and it's handled.
How the night runs
The same discipline we bring to the calendar, applied to the signal chain.
Advance
We collect stage plots, input lists, and backline needs from every act on the bill.
Load-in and patch
Rig lands early, patch goes up from the shared plot, monitors ring out before the first band arrives.
Soundcheck
Short, sharp soundchecks in set order — every band hears the room before doors.
Showtime and strike
Fast changeovers, the mix held all night, and strike wrapped inside the venue's curfew.
Why rooms hand us the board
It books like a band
Same desk, same rig philosophy, same engineers — the sound on stage matches the sound in the room.
No new vendors to chase
One quote covers the desk, the PA, and the engineer. No separate vendor calls, no day-of surprises.
Better shows, faster
Bands walk into a patched stage with their plot already on the board — sets start tight and stay tight.
Rooms we know, rigs we respect
House rigs get treated with respect. We work with your system when it makes sense and only bring in what it lacks.
Need sound for the next show?
Tell us about the room and the bill — we'll come back with the rig, the engineer, and a plan for the night.